Berlin’s Hauptbahnhof, a striking intersection of glass, steel, and concrete, offers a playground for architectural photography enthusiasts. On a crisp morning, I embarked on a focused photowalk, exploring the station’s monumental design through the lens of my Canon 5D Mark III paired with a Sigma 24–70mm full-frame lens.

Berlin, a city where history and modernity converge, offers a unique canvas for architectural photography. Recently, I embarked on a photowalk at the iconic Sony Center at Potsdamer Platz, capturing its striking interplay of light, shadow, and structure. This space, with its geometric precision and bold lines, is a haven for those drawn to minimalist and abstract interpretations of architecture.

Architecture has the power to speak without words. Few buildings embody this idea as profoundly as the Jewish Museum Berlin. Designed by Daniel Libeskind, its exterior is not merely a façade but a spatial narrative—sharp, fractured, and uncompromising. In this series of outside photographs, the building is explored through a strictly monochrome lens, emphasizing form, tension, and silence.

Berlin’s architectural landscape is a canvas of contrasts, where modernity meets history in striking forms. For enthusiasts of monochrome architecture photography, few places capture this duality as powerfully as Potsdamer Platz. Recently, I, Sebastian H. R., embarked on a photowalk through this iconic district, seeking to transform the urban geometry into abstract architectural photography that resonates with the minimalist aesthetic.