"How" to Photograph
Can you only photograph with an M-D like you would with a film camera? Is the M-D the only true way? I think not. You have to ask yourself, "How do you like to photograph?" Yes, I used to enjoy taking photos with my X-T2 and its back LCD, holding the camera freely away from my body. And before I knew what zone focusing was, I even used autofocus. But today I like to take my time. I just want to take "a clean picture." No spray and pray. You change as a photographer. And I don't need an M-D to photograph in "my style."
Exploring Berlin’s Brutalist Charm: A Photowalk at Walter-Benjamin-Platz
Berlin is a city where history and modernity intersect in a striking urban tapestry, and few locations capture this blend as profoundly as Walter-Benjamin-Platz. Recently, I embarked on a photowalk through this iconic square, exploring its raw architectural forms and translating them into monochrome abstractions.
Leica Q2 Monochrom
Royal Class "M" system. The measuring probe, a physical component. Very precise, and it works. I stand by what I've already written about the M-System. It's the top of the line. But. The M-System has several aspects that I find negative.
Royal Class “M”
In my opinion (in digital photography), nothing comes closer to the feel of old (analog) photography than the Leica M with its optical viewfinder. There's just something about the rangefinder. It's simply fun to photograph using the prism principle. You look through "glass" and orient yourself using the focal length lines.
Exploring the Industrial Aesthetics of Berlin’s Behala Westhafen
Berlin is a city where history, industry, and modernity converge in striking visual narratives. On a recent photowalk at Behala Westhafen, Sebastian H. R., the Berlin-based photographer behind the artistic project monochrome EDGE, explored the industrial landscape of the site, capturing the raw, minimalist beauty of its structures.
Exploring Berlin’s Industrial Edges: A Photowalk at Behala Westhafen
Berlin is a city where history and modernity collide, offering an endless playground for those passionate about architectural photography. On a recent photowalk, Sebastian H. R., the Berlin-based photographer behind the artist project and online platform monochrome EDGE, ventured to the industrial surroundings of Behala Westhafen. Importantly, all images were captured outside the operational areas, ensuring both safety and respect for the site’s functioning.
Brand servants
Today, when my Leica M8 broke down, something dawned on me. I immediately thought, "Oh God, now I'm not enjoying photography anymore. If the image metadata doesn't say Leica, I'm miserable."
My Leica M8 range finder died
The Leica M. For me personally, the pinnacle of photography. Analog photography excluded. Digital, meaning for me, Leica M. The last vestige of mechanical photography in the digital age. Even a Hasselblad XD2 100C, with its EVF, isn't first-class for me. I came to know and appreciate the M-Experience with the M8.
Photography, a philosophy
What makes photography exciting? What fascinates it about us photographers, us artists?
I see it from a rather melancholic perspective. If you don't want to be an active part of society, if you've turned your back on it, what are you then, living only for yourself?
Foreword to this personal blog
Let's be realistic. Nobody's going to read this blog. This blog is for me. I want to document my journey as an artist here. How one grows. How one develops. To philosophize and to comfortably put my thoughts down in a lounge chair with a hot cup of tea, using my MacBook.
A Photowalk in Berlin’s Hauptbahnhof – Part 2: Monochrome Perspectives
Continuing our exploration of Berlin’s architectural marvels, Part 2 of the photowalk at Hauptbahnhof reveals the station’s intricate geometry through the lens of monochrome abstraction. Sebastian H. R., Berlin-based photographer and founder of the artist project monochrome EDGE, captures the essence of modernist and brutalist influences with meticulous attention to form, contrast, and light.
A Berlin Photowalk: Hauptbahnhof through a Monochrome Lens – Part 1
Berlin’s Hauptbahnhof, a striking intersection of glass, steel, and concrete, offers a playground for architectural photography enthusiasts. On a crisp morning, I embarked on a focused photowalk, exploring the station’s monumental design through the lens of my Canon 5D Mark III paired with a Sigma 24–70mm full-frame lens.
Exploring Brutalist Elegance: A Photowalk Through Berlin’s Sony Center
Berlin, a city where history and modernity converge, offers a unique canvas for architectural photography. Recently, I embarked on a photowalk at the iconic Sony Center at Potsdamer Platz, capturing its striking interplay of light, shadow, and structure. This space, with its geometric precision and bold lines, is a haven for those drawn to minimalist and abstract interpretations of architecture.
Concrete Silence: The Jewish Museum Berlin in Monochrome
Architecture has the power to speak without words. Few buildings embody this idea as profoundly as the Jewish Museum Berlin. Designed by Daniel Libeskind, its exterior is not merely a façade but a spatial narrative—sharp, fractured, and uncompromising. In this series of outside photographs, the building is explored through a strictly monochrome lens, emphasizing form, tension, and silence.
A Photowalk at Berlin’s Potsdamer Platz
Berlin’s architectural landscape is a canvas of contrasts, where modernity meets history in striking forms. For enthusiasts of monochrome architecture photography, few places capture this duality as powerfully as Potsdamer Platz. Recently, I, Sebastian H. R., embarked on a photowalk through this iconic district, seeking to transform the urban geometry into abstract architectural photography that resonates with the minimalist aesthetic.